Classical period artifacts Klatt wine
Glass-shaped Kratt wine ware decorated with red figures, Sicily La Gusa. Front: The warrior bids farewell to his family (wife and son in the arms of a nanny); Back: The man, armed with a stick and Himatian, stands between two women. From the site of Kamarina, Lagusa Province, Sicily, Italy. Classical period, 5th century BC. Collected in the Parco Archeologico di Kamarina e Cava d'Ispica Archaeological Park.
Fifth Century BC Cultural Relics Wine Glass-shaped Klatt Wine Vapor
Glass-shaped Kratt wine ware decorated with red figures, Sicily La Gusa. Front: The warrior bids farewell to his family (wife and son in the arms of a nanny); Back: The man, armed with a stick and Himatian, stands between two women. From the site of Kamarina, Lagusa Province, Sicily, Italy. Classical period, 5th century BC. Collected in the Parco Archeologico di Kamarina e Cava d'Ispica Archaeological Park.
Maya pottery from the classical period
This pottery belongs to the Maya culture, originating from the late classical period of the 7th to 10th centuries AD in Central America, the region of Nibaha. It is made of ceramic and talc, with an overall size of 16.9 x 15.3 x 15.3 centimeters. This pottery may have been used as a political gift, depicting scenes of captured prisoners after battle. The pictographic characters surrounding the edges are specifically designed for this container, used for drinking high-quality beverages made from cocoa beans. This container is currently housed in the Cleveland Museum of Art.
The ceramic bottle "Pelik" from the classical period of ancient Greece
Pelik is a Greek container made of ceramic double ear bottles used for storing liquids. The cultural relic collected by the Krakow National Museum is made in the Kerch style, which is characterized by items produced in Athens in the 4th century BC and exported to cities in the northern Black Sea. The popular decorative theme of the Kerch style vessels comes from the cycle of Dionysius: on the belly of Pelik, depicting Dionysius' attendants. From the left dance pose, Dionysius' half man, half beast, Menard playing drums, and another half man, half beast. Menard tilted slightly backwards, attracting the attention of other participants amidst religious fervor.
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